You could say that the dancers of Tjimur Dance Theatre are fired to perfection like the glass beads they make. And the analogy works the other way too: the glass beads contain the energy and passion of a nimble dancer’s footsteps.
I arrive in Sandimen on a clear, sunny Tuesday morning. I’m here in search of the “glass beads that dance.” The beads themselves don’t dance, but many of the people who make them do.
As we drive up into the mountains, Tjimur Dance Theatre’s artistic director Luzen Matilin (Liao Yi-hsin) explains the marriage between two very different artistic disciplines in her family: the refined, still beauty of the glass beads, and the expressive motion of modern dance incorporating elements of traditional Paiwan culture.